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The primary purpose of this field is to survey the most important authors, genres, and trends in the nineteenth century British novel. As much as possible, I have attempted to define "importance" both in terms of literary canonicity and in terms of historical change. Thus, although the reading includes an in depth study of several major authors (particularly Austen and Dickens), I have organized the major field primarily around landmarks in the history of literary genres. The list will allow me to trace the development of the following genres: the Bildungsroman; the historical novel; the regional novel; the provincial novel; the gothic novel; the industrial novel; the sensation novel; the detective novel; the science fiction novel; the New Woman novel. Although all these types of novel have been definitely identified as discrete genres, either by nineteenth century readers or by recent literary criticism, I am interested in these generic divisions partly because of their evident mutability. For instance, the most canonical of all Victorian novels -Eliot's Middlemarch- might be defined as a provincial novel, a historical novel, a double Bildungsroman, or (more generally) a classic work of realism. In contrast, clear generic categories can more easily be assigned to the less canonical novels which mark a historical breakthrough (for instance, the emergence of the regional novel with Edgeworth's Castle Rackrent or of the sensation novel with Collins' The Woman in White).Although the reading is organized by chronology and genre, I am also interested in exploring a number of formal and thematic questions which link together novels from different genres and periods. In formal terms, I am particularly interested in the role of the omniscient narrator; in the narrative structure of the "multi plot" novel; and in the creation of novels out of elements of the journalistic sketch (for instance, in Pickwick Papers and Vanity Fair). In thematic terms, I am particularly interested in the construction of male and female gender roles; in definitions of nationhood and ethnicity; and in the conceptions of history and politics that are incorporated within the novels' narratives of personal development. I hope that, as I begin to synthesize my reading in the next few months, I will be able to relate these formal and thematic questions more coherently to my overall interest in the history of nineteenth century novelistic genres.Jane Austen's (xxxx-xxxx) works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[13] Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security.[14] Austen brings to light the hardships women faced, who usually did not inherit money, could not work and where their only chance in life depended on the man they married. She reveals not only the difficulties women faced in her day, but also what was expected of men and of the careers they had to follow. This she does with wit and humour and with endings where all characters, good or bad, receive exactly what they deserve. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in xxxx of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the xxxxs she had become accepted as a major writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. Austen's works include Pride and Prejudice (xxxx) Sense and Sensibility (xxxx), Mansfield Park, Persuasion and Emma. The other major novelist at the beginning of the early 19th century was Sir Walter Scott (xxxx-xxxx), who was not only a highly successful British novelist but "the greatest single influence on fiction in the 19th century ... [and] a European figure".[15] Scott established the genre of the historical novel with his series of Waverley Novels, including Waverley (xxxx), The Antiquary(xxxx), and The Heart of Midlothian (xxxx).[16] However, Austen is today widely read and the source for films and television Charles Dickens emerged on the literary scene in the xxxxs with the two novels already mentioned. Dickens wrote vividly about London life and struggles of the poor, but in a good-humoured fashion, accessible to readers of all classes. One of his most popular works to this day is A Christmas Carol (xxxx). In more recent years Dickens has been most admired for his later novels, such as Dombey and Son (xxxx-8), Great Expectations (xxxx-1), Bleak House (xxxx-3) and Little Dorrit (xxxx-7) and Our Mutual Friend (xxxx-5). An early rival to Dickens was William Makepeace Thackeray, who during the Victorian period ranked second only to him, but he is now much less read and is known almost exclusively for Vanity Fair (xxxx). In that novel he satirizes whole swaths of humanity while retaining a light touch. It features his most memorable character, the engagingly roguish Becky Sharp. The Brontë sisters were other significant novelists in the xxxxs and xxxxs. Their novels caused a sensation when they were first published but were subsequently accepted as classics. They had written compulsively from early childhood and were first published, at their own expense in xxxx as poets under the pseudonyms Currer, Ellis and Acton Bell. The sisters returned to prose, producing a novel each the following year: Charlotte's Jane Eyre, Emily's Wuthering Heights and Anne's Agnes Grey. Later, Anne's The Tenant of Wildfell Hall (xxxx) and Charlotte's Villette (xxxx) were published. Elizabeth Gaskell was also a successful writer and first novel, Mary Barton, was published anonymously in xxxx. Gaskell's North and South contrasts the lifestyle in the industrial north of England with the wealthier south. Even though her writing conforms to Victorian conventions, Gaskell usually frames her stories as critiques of contemporary attitudes: her early works focused on factory work in the Midlands. She always emphasised the role of women, with complex narratives and dynamic female characters.[20] Anthony Trollope's (xxxx?82) was one of the most successful, prolific and respected English novelists of the Victorian era. Some of his best-loved works are set in the imaginary county of Barsetshire, including The Warden (xxxx) and Barchester Towers (xxxx). He also wrote perceptive novels on political, social, and gender issues, and on other topical matters, including The Way with Live Now (xxxx). Trollope's novels portrayed the lives of the landowning and professional classes of early Victorian England. George Eliot's (Mary Ann Evans (xxxx?80) first novel Adam Bede was published in xxxx. Her works, especially Middlemarch xxxx-2), are important examples of literary realism, and are admired for their combination of high Victorian literary detail combined with an intellectual breadth that removes them from the narrow geographic confines they often depict.Graham Greene was an important novelist whose works span the xxxxs to the xxxxs. Greene was a convert to Catholicism and his novels explore the ambivalent moral and political issues of the modern world. Notable for an ability to combine serious literary acclaim with broad popularity, his novels include, The Heart of the Matter (xxxx), A Burnt-Out Case (xxxx), and The Human Factor (xxxx). Evelyn Waugh's (xxxx?66) career also continued after World War II, and in "xxxx he completed his most considerable work, a trilogy about the war entitled Sword of Honour.[33] In xxxx Malcolm Lowry published Under the Volcano, while George Orwell's satire of totalitarianism, xxxx, was published in xxxx. One of the most influential novels of the immediate post-war period was William Cooper's (xxxx-xxxx) naturalistic Scenes from Provincial Life (xxxx), which was a conscious rejection of the modernist tradition.[34] Other novelists writing in the xxxxs and later were: Anthony Powell (xxxx-xxxx) whose twelve-volume cycle of novels A Dance to the Music of Time (xxxx-75), is a comic examination of movements and manners, power and passivity in English political, cultural and military life in the mid-20th century; comic novelist Kingsley Amis is best known for his academic satire Lucky Jim (xxxx); Nobel Prize laureate William Golding's allegorical novel Lord of the Flies (xxxx), explores how culture created by man fails, using as an example a group of British schoolboys marooned on a deserted island; philosopher Iris Murdoch was a prolific writer of novels that deal with such things as sexual relationships, morality, and the power of the unconscious. Her works including Under the Net (xxxx), The Black Prince (xxxx) and The Green Knight (xxxx). Scottish writer Muriel Spark's also began publishing in the xxxxs. She pushed the boundaries of realism in her novels. Her first, The Comforters (xxxx), concerns a woman who becomes aware that she is a character in a novel; The Prime of Miss Jean Brodie (xxxx), at times takes the reader briefly into the distant future to see the various fates that befall its characters. Anthony Burgess is especially remembered for his dystopian novel A Clockwork Orange (xxxx), set in the not-too-distant future, which was made into a film by Stanley Kubrick in xxxx. In the entirely different genre of Gothic fantasy Mervyn Peake (xxxx?68) published his highly successful Gormenghast trilogy between xxxx and xxxxImmigrant Doris Lessing (xxxx ) from Southern Rhodesia (now Zimbabwe), published her first novel The Grass is Singing in xxxx, after immigrating to England. She initially wrote about her African experiences. Lessing soon became a dominant presence in the English literary scene, frequently publishing right through the century, and won the nobel prize for literature in xxxx. Salman Rushdie (xxxx- ) is another among a number of post Second World War writers from the former British colonies who permanently settled in Britain. Rushdie achieved fame with Midnight's Children xxxx, which was awarded both the James Tait Black Memorial Prize and Booker prize, and named Booker of Bookers in xxxx. His most controversial novel The Satanic Verses (xxxx), was inspired in part by the life of Muhammad. V. S. Naipaul (xxxx- ), born in Trinidad, was another immigrant, who wrote among other things A House for Mr Biswas (xxxx) and A Bend in the River (xxxx). Naipaul won the Nobel Prize in Literature.[35] Also from the West Indies George Lamming (xxxx- ) is best remembered for In the Castle of the Skin (xxxx). Another important immigrant writer Kazuo Ishiguro (xxxx- ) was born in Japan, but his parents immigrated to Britain when he was six.[36] His works include, The Remains of the Day xxxx, Never Let Me Go xxxx.Thomas Hardy stopped writing fiction after Jude the Obscure (xxxx) was severely criticized, so that the major novelists writing in Britain at the start of the 20th century were an Irishman James Joyce (xxxx-xxxx) and two immigrants, American Henry James (xxxx-xxxx) and Pole Joseph Conrad (xxxx-xxxx). The modernist tradition in the novel, with its emphasis "towards the ever more minute and analytic exposition of mental life", begins with James and Conrad, in novels such as The Ambassadors (xxxx), The Golden Bowl (xxxx) and Lord Jim (xxxx).[24] Other important early modernists were Dorothy Richardson (xxxx-xxxx), whose novel Pointed Roof (xxxx), is one of the earliest example of the stream of consciousness technique and D. H. Lawrence (xxxx-xxxx), who wrote with understanding about the social life of the lower and middle classes, and the personal life of those who could not adapt to the social norms of his time. Sons and Lovers (xxxx), is widely regarded as his earliest masterpiece. There followed The Rainbow (xxxx), though it was immediately seized by the police, and its sequel Women in Love published in xxxx.[25] Lawrence attempted to explore human emotions more deeply than his contemporaries and challenged the boundaries of the acceptable treatment of sexual issues, most notably in Lady Chatterley's Lover, which was privately published in Florence in xxxx. However, the unexpurgated version of this novel was not published until xxxx.[26] Then in xxxx Irishman James Joyce's important modernist novel Ulysses appeared. Ulysses has been called "a demonstration and summation of the entire movement".[27] Set during one day in Dublin in June xxxx, in it Joyce creates parallels with Homer's epic poem the Odyssey.[2